|Artist Petra Kern|
The Moon from My Attic: Please introduce yourself. My name is Petra Kern, of Petra Kern Designs - I started off as Petra Kern Hand Painted Designs but now my work is also digitally done on computer.
I was a journalist and stylist since I was a student. In 17 years of journalism I managed to work for national women and lifestyle magazines (printed and online) such as Elle, Elle Decor and Cosmopolitan. As much as I enjoyed working there, I could overhear a little voice whispering: "Come on, you know you want it!"
|© Petra Kern|
After graduating from the university, two children and lots of whispers from that little voice, I decided to stop fighting them and embrace the fact that I wanted to be an artist and surface/textile designer. In 2009, with enormous help from my husband, I launched a web page, built a Facebook Page community, made my first card collection and decided to learn as much as possible. I took many e-classes to educate myself and to really see what my options were. You have to realize that I live in a small country with literally no licensing field or knowledge of it.
With a lot of help and experience from my former occupation and with a constant desire to create and learn, I am now ready to license my work, open online shops, make holidays cards and move forward every single day with my work. I just launched my own business in October 2011 so I am still looking for the perfect licensing deal.
TMFMA: What's exciting about your creative work? Oh, I could go on and on with this one! When I started to do what I love I really started to love Mondays. I am so thrilled every time I surround myself with colors, papers and brushes that I look like a child in a candy store. To my surprise I started to love designing on computer. I really love the fact that I can sit in front of any artwork I started earlier and the continuation always comes very natural to me. Whats makes creative work exciting is also the fact that you never ever stop learning and discovering new skills. I love that!
TMFMA: What's your favorite medium or tool/s you create with? Basically everything that I have created by hand. Every medium serves to a different need and produces a different look. At the beginning I started with cheap markers. Then I realized that I have a lot of unopened guaches, then I moved to inks and watercolors, finally I discovered mixed media and I have to say I love to put different papers together. When I started to make patterns I realized that I have to learn how to make them on the computer, so I gave myself two months to learn basic rules in Illustrator. Now white paper, a black marker and a computer are very much every day tools.
|© Petra Kern|
TMFMA: Who or what has inspired you in your art? When I started to create (basically the major breakthrough happened in 2009) I thought that I'd lived in a creative desert for so long that my mind just collected this creative power and that I had to let it out. Now I am starting to realize that I am inspired by our heritage, colors, ornaments, flowers … Only a glimpse of a beautiful thing can be enough to do my own interpretation. I loved to travel, but I have small kids now and I am starting a business and trips are really limited. But I can not wait to see what serious travel will do to my art.
TMFMA: Do you license or sell your work? Or both? For now I sell my artwork on Etsy and two art galleries in Slovenia. I also sell my cards in a small shop. I've recently opened a Spoonflower shop where I mostly sell hand drawn/painted designs.
TMFMA: Have you walked or exhibited an art licensing show in Europe or elsewhere? If yes, tell us about your experience. A month or so before Surtex I got an invitation from A Fresh Bunch Agency to join their team. I had two weeks to do presentation kits and in this short time period I did the best I could. I couldn't fly to New York but my work was shown at their booth.
|© Petra Kern|
TMFMA: Please give your analysis of the European market based on your own experience. The truth to be told I am more aware of the American market and companies than those in Europe because all my education is based on the American market. I am now a student of a Pattern Design Course with Rachel Taylor and I am still in the learning phase. But I am very pleased to see that art is turning very global and the mix of styles are what is now appearing everywhere. I am thrilled about this diversity.
TMFMA: In your view, what was of major interest to manufacturers this year? I think florals, geometrics and paisleys were very prominent. I was surprised how often pet designs appeared. For the upcoming season, cars and motocycles from the '50's will be sought after, as well as a "boho florals" type look, accompanied by geometrics. Neons will also be back as accents.
|© Petra Kern|
TMFMA: What advice would you give other artists who are considering the art licensing field? Oh, be prepared, be very prepared. It's a struggle, lots of searching and so many no's that you start questioning your decision every day! But be also prepared for huge satisfaction and joy when someone shows interest in your work.
TMFMA: Anything else you want to share, your future goals, new exciting projects, anything more about licensing? I am putting together few pattern and card collections to send them to potential clients. I am still a newbie and I am doing a lot of research. I am very excited about the pattern design e-course that I've mentioned because it makes me step out of my comfort zone and it challenges me every day to search for new things that would work best for my art.
|© Petra Kern|
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