Showing posts with label vintage. Show all posts
Showing posts with label vintage. Show all posts

Monday, September 24, 2012

Spirituality and Art Licensing - Artist Jennifer Parker


Motivational art and inspirational quotes are all over the paper & gift industry. People buy them as they seem to identify themselves in some form or another, or just simply to fill their own need to express similar emotions and feelings. Spirituality is one of the many sources for inspirational images and phrases. I am pleased to introduce this week Jennifer Parker, whose "deepening interest in spirituality" as she mentions below has been her way into licensing – I met Jennifer at a local meeting in Berkeley, CA. and her graphics skills and sense of design struck me as quite remarkable. She is a professional and fun person to collaborate with.

Artist Jennifer Parker
The Moon from My Attic: Can you tell us a bit about yourself and your art? Thank you for the opportunity to share my story, Alex. I live and work in beautiful Mill Valley with my cat, Sadie. My vintage style evolved while I was designing for John Grossman's Victorian ephemera collection at The Gifted Line. That evolution continued at Punch Studio, where I spent nearly eight years as the Northern California Art Director. In 2003, inspired by personal travel stories and a deepening interest in spirituality, I began creating mixed media artwork and assemblages. My goal was to find a commercial market for these heartfelt creations. Seven years later, in 2010, these creations became the foundation for my career in art licensing.

Today, I find inspiration – and valuable resources – from copyright-free images that I stumble upon at flea markets and fairs; natural or found objects such as discarded pieces of furniture or old books; and ephemera which I've purchased locally around the country or traveling abroad.

I love texture, depth, and detail—for example, I incorporate my own photographs of rustic walls, architecture, and wood grains for background texture. Sometimes I stitch an empowering message into my design tapestry. If you'd like to learn more about my creative and professional journey, you can read my blog.

TMFMA: What is exciting about your creative work? I love variety! I enjoy the process and freedom of exploring a wide range of layouts, themes, and color palettes. My Juniper Trail line of greeting cards manufactured by Potluck Press is an eclectic mix of vintage art with layers of textures and details. The designs are similar to an Anthropologie store—nothing matches, but everything works together as a collection.

TMFMA: Is there a person or thing that has influenced you in your artistic efforts? What inspires you? I'm inspired by nature, Bohemian fashion, and weathered "things." I am also drawn to found objects, world textiles, exotic travel, and sacred places. I can think of two artists who have made a significant impression in my life. In 1991, I worked at a stationery store called Bon Papier in Sacramento. There, I resonated with Mary Engelbriet's inspirational quotes. I admired how brilliantly she told a story in her greeting cards. During that same year, I fell in love with Nick Bantock's collage postcard artwork and his Griffin & Sabine stories. In addition, I attended my first trade show in Los Angeles when I was 19 and I felt a strong pull toward the paper products industry.

TMFMA: Tell us of your experience as a licensing artist. After many years working as an employee in the industry, it felt like a natural next step for me to pursue licensing. I took a leap of faith and decided to learn everything I could about licensing — without an agent. I submitted my art to manufacturers and reviewed my contracts with a lawyer and a licensing coach. I definitely faced some challenges, but in general, all the hard work has paid off. Today, my licensees include Potluck Press, Calypso Cards, Madison Park Greetings, Amber Lotus Publishing, and Kaf Home.

TMFMA: What project are you currently working on and what's exciting about it? This summer, I've been experimenting in my studio with acrylics, watercolors, and collage. I'm excited to incorporate more drawing and painting into my designs to further evolve as a visual artist.

TMFMA: What are your future aspirations and goals as an artist? I always try to stay open to opportunities that I encounter and allow my heart to guide me in the right direction. Here are some dreams: I'd love to expand my licensing business; teach art retreats in exotic locations; and design and write a book to inspire and encourage other women to follow their own passion. I'm also expanding Jennifer Parker Designs by adding a wide range of art services that I've spent many years developing. My new venture, J. Parker Consulting, will offer art direction, graphic design, production, and Photoshop training, all specifically targeted to help artists with art licensing. For more information click on my website link.


TMFMA: Any important tips and tricks you'd like to share about art licensing? I have learned first-hand that building a successful art licensing business can take patience, determination, and a lot of time and energy. I recommend securing steady work while you build your licensing portfolio. If you have a mentor, learn as much as you can from that person. Talking to other industry artists can be really helpful, too. There are many different sources of information out there, so get familiar with licensing blogs and books and join the LinkedIn licensing groups. You might want to establish a web presence through social media, too. If you decide not to use an agent, hire a lawyer or licensing coach to review all your contracts.

Most of all, be patient with yourself and with the learning process. Remember that "success" has many definitions. If you create from your heart's truth; keep moving forward when you make mistakes, experience doubt, or encounter challenges; and manage to stay inspired and have fun - that sounds a lot like success to me.


Find out more about Jennifer here:

Monday, May 28, 2012

The Dynamic Surtex, NSS and ICFF Shows! ...And Now, What's Next?

Colorful cookies based on one of
my designs - handed out at the show!
 
It was a great show! It was so much fun and amazing to meet up with artists and agents from around the country - I got to meet many of you, which I think was the highlight of my trip!

The aisles between the colorful booths were bustling with people, licensing artists who were happily ready to present their new fabulous work, focused manufacturers looking for specific and novelty artwork, and curious but respectful newbies pondering whether they should be exhibiting next year. Free and paid seminars were delivered in different locations while monitors in the Cafe area advertised all sorts of design styles and new concepts.

The Surtex staff were also busy taking care of everyone and doing a great job. And finally the Press - The Moon from My Attic was also present amongst those walking the floor, and was very active in setting up interviews and sharing insights with many smiling faces, including the four finalist students of the annual Surtex-sponsored student design competition, who were all awaiting for their designs to be judged by a panel of licensing experts.  Check out Designext 2012 link for the winner!

Surtex 2012 Designext Finalists

I will be publishing post-Surtex interviews for the next couple of months to give the opportunity to many emerging and established artists to share their own stories about the show and their passion for art. My agent, Montage Licensing, was very happy about the outcome of the three days there and was in fact so busy talking to clients that I could barely chat with her when I went by the booth. Time will tell, as follow-ups are just as important as the concentrated frenzy of the show, but we can all hope for the best.

My own impressions of the show: as I talked to many, some were very happy, while some were not as pleased but everyone seemed to enjoy the meetings with manufacturers that were diligently set up before the show started. So this is one thing I learned over again - it's important to set up your appointments before the show as opposed to waiting for some unspecified walk-in to show up at your booth.

Some booths were spectacular, so well planned and set up. Cheers to many of you who went the extra mile to display your work!  You can see pictures of some exhibitors who have shared their booth displays through their blogs, through the official Surtex site, or as part of some of the interviews I'll be publishing in the coming months.

The other important piece of information from the show, in my view, is that the National Stationary Show adjacent to the Surtex area was also jammed with people and manufacturers - it was interesting to watch the stationary show exhibitors crossing over to shop for new art, while licensing artists were crossing over to pick up the pulse of new trends and products. I wish there was a way to evaluate that exchange of energy and information flow, as it is potentially one of the most dynamic aspects of Surtex I believe. It seemed very engaged this year.

As for trends, I am not an expert but my opinion is that brighter colors were showing up a little bit everywhere, especially the warm tones in connection to neutrals like grays and browns - I had noticed this trend coming in from Europe last year, which was confirmed in a very well hosted free seminar by French designer Emmanuelle Linard with Edelkoort, Inc. Yellow is the new pink, she mentioned, and green/eco design is also a growing trend she talked about which I saw very clearly in all three shows (Surtex, NSS and ICFF). Although not a new one, it is definitely gaining even more prominence and strength.

The large growth of vendors providing letterpress printing services is another example that illustrates a trend that has been emerging for some time now and more explicitly could be described as the return to hand made crafts, an alternative in-touch-with-nature life style assisted by high-tech futuristic technologies of tomorrow. I noticed, for example, that laser-cut, lace-like techniques are being applied by some start-up vendors to numerous products such as stationary and cards and other commercial products, which illustrates how artisanal handmade and high tech collaborative concepts can be turned into appealing products for the mass market.


From the International Stationary Show, 2012
Other trends spotted at the shows are the ever classic retro and vintage ones, as well as designing with words. Still strong and fun, they seem to be the favorites of many artists.

Finally, the one trend I personally love and favor is the hand drawn-illustration style of artwork, which is showing up everywhere. Many companies had this type of art as a background to their displayed products in the NSS but this style is also everywhere in the artwork of many artists. Not to say that flat-digital art isn't still a strong design look, but it is nicely balanced by the counter-trend of the DYI-hand drawn and primitive art. Again the handmade and natural ethos comes to life here.

So what's next after Surtex?

Follow-ups are key to all involved with the shows, so this is on the top of my list. In my next blog post I will give a few more details on specific trends I think are closer to my heart, including colors, shapes, home textiles and furniture. I will also add that there will be a special editorial sometime soon with a manufacturer and art director who have been very instrumental in sharing their side of the story as art licensing is concerned. So we'll cover the field from all fronts.

I advise you to read all the other blogs that are covering the 2012 Surtex/NSS shows as well, since multiple views are invaluable to help you get an overall idea of what's going on. Since we have such mix of trends and concepts, you can pick the one you feel is closest to your heart and art style!

I want to thank several of the artists and friends we met, including Montage Licensing's team, Cathy Heck Studio, Sue Zipkin, Lance Klass' team, Eriko Maeda, the DANG! gals, Carol Van Zandt, Iza Pearl, Paul Brent, Marilyn MacGregor, Lilla Rogers, Chris Reed, Tamara Holland, Jennifer Castoldi, Karen Harris, and Linadona Botanical to mention a few, as well as many others who made time to say hi or agreed to be interviewed. 

Finally, after the massive input and impressions I received while at the show I decided to just get some fresh air and see a little bit of NYC. I picked a walk down the High Line Park and really enjoyed it! Interestingly, the park rather exemplifies the trend towards a high-tech solution that incorporates vintage elements with a back-to-nature ethic. Here are some images from the stroll along this beautiful elevated green path, not too far from the Javitz Center. What a treat, and what a great way to end a fantastic trip to New York!

The High Line's busiest resident - © 2012 Paul Stout
Best views of New York - on the High Line  © 2012 Paul Stout